Later, Renaissance and Humanist thinkers rejected this view, and thought of beauty to be the product of rational order and harmonious proportions. Renaissance artists and architects (such as Giorgio Vasari in his “Lives of Artists”) criticised the Gothic interval as irrational and barbarian. This viewpoint of Gothic artwork lasted until Romanticism, within the 19th century.
Further, the widening hole between particular person physique sizes and societal beliefs continues to breed anxiety among younger women as they develop, highlighting the damaging nature of beauty requirements in society. Beauty requirements are rooted in cultural norms crafted by societies and media over centuries. Globally, it’s argued that the predominance of white ladies featured in motion pictures and advertising results in a Eurocentric idea of beauty, breeding cultures that assign inferiority to women of color. Thus, societies and cultures throughout the globe struggle to decrease the longstanding internalized racism.
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